Gary Shepard Art Collections
Shop for artwork from Gary Shepard based on themed collections. Each image may be purchased as a canvas print, framed print, metal print, and more! Every purchase comes with a 30-day money-back guarantee.
Artwork by Gary Shepard
Each image may be purchased as a canvas print, framed print, metal print, and more! Every purchase comes with a 30-day money-back guarantee.

Salt Marsh Meander by Gary Shepard

Jewel Beetle by Gary Shepard

Luna Moths by Gary Shepard

Hemlock Covered Bridge by Gary Shepard

Moonset Delicate Arch by Gary Shepard

Trees, Late Fall by Gary Shepard

Asian Carpenter Bee by Gary Shepard

Asian Longhorn Beetle by Gary Shepard

Late Fall Pastoral by Gary Shepard

Flower Chafer Beetle 3X by Gary Shepard

Old and New by Gary Shepard

Dazzling Daylily by Gary Shepard

Planthopper Lanternfly by Gary Shepard

Winter Storm, Portland Headlight by Gary Shepard

Lobster Shanty by Gary Shepard

Friar's head lighthouse by Gary Shepard

Carnival Glass by Gary Shepard

On the waterfront by Gary Shepard

Sunrise Bryce Canyon by Gary Shepard

Monument Valley Sunrise by Gary Shepard

Into the Fog by Gary Shepard

Marble Angel by Gary Shepard

Anasazi Grainery by Gary Shepard

Crocus Emerging by Gary Shepard
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About Gary Shepard
When I was just 18 years young, I went down into my best friend's basement, into a makeshift darkroom he made light tight by tacking bedspreads to the ceiling joists and I watched in amazement as a photographic print appeared on photo paper while in a tray of developer. From that moment forward, I was hooked.
Forty years later, I am still as excited about capturing and developing an image, a moment frozen in time to examine at one's leisure, as I was that day. I cut my teeth on film, having used a number of formats, from 35mm through 120mm and including 4x5 inch. I've made sure my homes have always had enough space for a darkroom. Black and white, color negative and color slide, I did them all. I was a professional commercial photographer in the 90's, having two studios which were successful enough, until the advent of digital photography. When I couldn't afford the huge outlay of cash to convert, I switched careers, but never lost the lust to make a photograph.
Today, I have embraced digital photography, though I still have 35mm Canons and Bronica medium format film cameras, which I love to use. I never want to forget my roots. The computer has become my darkroom now and there continues to be new opportunities for expression. I am happy to say that I, early on, discovered my life's enduring passion.